Aug

21

Alexis Taylor (Hot Chip) Alexis Taylor (Hot Chip)

with Val-Inc & DJ Brian DeGraw (Gang Gang Dance)

Sun August 21st, 2016

8:00PM

Main Space

Minimum Age: 18+

Doors Open: 7:00PM

Show Time: 8:00PM

Event Ticket: $20

Day of Show: $25

event description event description

Hot Chip frontman Alexis Taylor brings his solo piano project to (Le) Poisson Rouge for an intimate performance.

Ticketing Policy

*on sale Friday 7/8 at 10am EST*

*Please note: LPR does not print paper tickets. Tickets can only be claimed by checking in at will-call  once doors have opened on the day of the show. The original ticket buyer must present a valid photo ID at that time. Will call name changes will not be permitted for this performance.*

Table seating for all seated shows is reserved exclusively for ticket holders who purchase “Table Seating” tickets. By purchasing a “Table Seating” ticket you agree to also purchase a minimum of two food and/or beverage items per person. Table seating is first come, first seated. Please arrive early for the best choice of available seats. Seating begins when doors open. Tables are communal so you may be seated with other patrons. We do not take table reservations.

A standing room area is available by the bar for all guests who purchase “Standing Room” tickets. Food and beverage can be purchased at the bar but there is no minimum purchase required in this area.

All tickets sales are final. No refund or credits. Tickets are non-transferrable.

the artists the artists

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Alexis Taylor (Hot Chip)

Alexis Taylor Official Website | Alexis Taylor on Instagram

Hot Chip front man Alexis Taylor pares everything back to just piano and voice for an intimate record of new songs, reinterpretations of his own writing, and a selection of favourites both well-known and unheard before by other artists. Recorded at Hackney Road Studios by Shuta Shinoda, Piano invites the listener to be privy to a very private recital, with Alexis’ vocal and piano captured live and up-close, preserving each beautiful moment.

“I had always wanted to make a loose and to some extent unplanned piano record – partly inspired by an un-made but suggested Alex Chilton solo piano LP that a friend of mine told me about 15 years ago or so. I began one a few years back which then morphed into the second About Group LP – but the idea stayed in the back of my mind all the while.

“The idea with this record was to choose songs of my own and others’ that were personal to me and to document live performances which were intimate and unadorned. I wanted to reduce everything to the barest elements, record a great piano well and do as little as possible to the recordings eq or effects-wise. The mood created on the record is pretty different from that on other records I have been involved with. It feels like a special place to be able to go to.”

Piano is a very personal and private record in some respects, but one which looks outward to celebrate lives of friends now passed, as well as love for those closest to us, and music itself.

“After it was completed Piano struck me as a sort of gospel record in places – albeit an atheist’s gospel album, if that’s possible. ‘In The Light of the Room’, Elvis’s ‘Crying In The Chapel’, the hymnal ‘I Never Lock That Door’, and the miracle-referencing ‘So Much Further To Go’ – they have that feel to them for me lyrically and musically. But the Miracles in ‘So Much Further’ are Smokey’s as much as anything Biblical, and the reference to both silence and music filling the air reflects the album’s observations about absence, loss, repair and surrender to love and sound. The song is one I was really happy with when I first wrote it partly because it offered some mystery to me – I didn’t fully understand it. After a close friend and collaborator passed away during the making of this record – actually someone who I had asked to contribute small string parts to it – I felt I understood it all too well:

‘Life a miracle – a miracle that’s hard to bear’”

As well as Hot Chip’s six studio albums the band has released a wealth of material scattered across EPs, stand-alone singles, compilation exclusives, remixes, and covers. Thus far Alexis has released two LPs and an EP under his own name, as well as three further albums of material performed with the semi-improvisational About Group. Additionally, Alexis has crafted side projects such as Booji Boy High and collaborated with Wiley, Peter Gabriel Will Oldham, Fimber Bravo, Bernard Sumner, Robert Wyatt, Justus Köhncke, Green Gartside, The Memory Band, James Yorkston and David Byrne among many others.

Alexis Taylor’s Piano LP is due for release on 10 June, 2016 via Moshi Moshi and features cover artwork by Oliver Payne.

Val-Inc

Val-Inc on Twitter | Val-Inc on Soundcloud | Val-Inc on Bandcamp

Val-Inc (Val Jeanty) is a Haitian-born com- poser, percussionist and turntablist, who uses technology to lead listeners into her dream- like expressionism of Afro-Electronica compositions. She incorporates her African Haitian Musical traditions into the present and beyond, combining acoustics with electronics, the archaic with the post-modern.

DJ Brian DeGraw (Gang Gang Dance)

Brian DeGraw (b. 1974) is an American artist, musician, and DJ living in both New York City and Woodstock, NY.
 
His involvement in the arts has run the gamut of medium and approach for the past 20 years. His visual work has been shown in group and solo exhibitions around the world both independently and as part of the permanent roster of the James Fuentes Gallery in NYC. His musical accomplishments are varied, having worked on several collaborations with other artists such as Harmony Korine, Rita Ackerman, and Doug Aitken, and most notably as the founding member of the experimental electronic group Gang Gang Dance. He has toured the world over with this group for the better part of the past ten years. When he is not traveling he can also be found working with other musicians in various contexts which include directing music videos for Panda Bear, producing remixes for the likes of Sinead O’connor, Animal Collective, and Battles and doing film soundtrack work. Most recently he has been exploring the field of film and video in an attempt to bring all the various aspects of his creative output into one audio/visual realm. In addition to his visual work within the gallery setting, he has also designed several album covers for record labels including Domino, 4AD, Warp, and the Social Registry.
 
In August of 2012, Brian participated in Ford Fusion’s collaboration with MILK Studios, revealing “Wall to Wall: The Fusion Collective” – a new project including an immersive gallery experience featuring original multimedia artworks and performances – which opened in New York and then traveled to Los Angeles. – via Rassamontaser.com

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